Do Musicians Fade Away? A Look At The Nigerian Music Industry

Once upon a time in the vibrant Nigerian music industry, a curious phenomenon seemed to be taking place. This tale begins with a tweet from @KesseScott on February 18, 2022, lamenting how Nigerian musicians, such as Tekno, Runtown, and Mr Eazi, appeared to be “going through that phase” where their popularity was waning. The tweet suggested that only Wizkid and Davido seemed to have an “expiring date” in Nigeria, implying that other artists might not have the same staying power.

Fast forward to 2024, the narrative seems to have taken a more somber turn. On April 28, 2024, the Nigerian gospel music community was shaken by the tragic news of the passing of the esteemed artist Egbin Orun, also known as Morenkeji Adeleke. This sudden loss reverberated throughout the music industry, leaving fans and fellow musicians in mourning.

The death of Egbin Orun was not the only loss in recent times. In September 2023, the music industry was shocked by the untimely passing of Mohbad, a rising star known for his unique baritone and contributions to the music scene. These incidents not only brought grief to the Nigerian music community but also highlighted the fragility of fame and the unpredictable nature of life itself.

Moreover, the industry has seen a shift in the careers of some artists. Some producers, like Shizzi, Samklef, and Young John, have transitioned into full-time singers. This could be seen as an indication of the industry’s dynamic nature, where artists constantly evolve to stay relevant. However, it also underscores the challenges of maintaining a long-term career in the music industry.

This narrative raises several questions. Are Nigerian musicians truly fading away, or is it simply a natural evolution of the music scene? The industry’s rapid changes, coupled with the tragic losses, suggest a complex interplay of factors at work.

As we ponder these questions, we are reminded of the words of @drpenking, who noted the fickle nature of the Nigerian music audience, stating that they move on from musicians quickly if they don’t consistently release new content. This observation underscores the importance of adaptability and consistent performance in the music industry.

In conclusion, the Nigerian music industry seems to be a place of both immense potential and unpredictable challenges. While some artists may fade away, others rise to fill the gaps. The tragic losses of Egbin Orun and Mohbad serve as stark reminders of the human side of the industry, adding a layer of depth to the ongoing narrative of fading musicians in Nigeria.